Monday 15 July 2013

Electronic Music Studies Network Conference (with Alok Nayak)

Milapfest and Liverpool Hope University presented a major outcome of their partnership work last week in an important conference presented by the Electronic Music Studies (EMS) Network at Lisbon, Portugal - See more at: http://www.milapfest.com/news/milapfest-and-liverpool-hope-university-at-the-ems-conference-lisbon/#sthash.s7W8hZ6p.dpuf
Dr Manuella Blackburn (Lecturer, Hope University) and Alok Nayak (Director of Development, Milapfest) gave  a co-authored conference paper entitled ‘Performer as sound source: Interactions and Mediations in the studio and in the field.’ - See more at: http://www.milapfest.com/news/milapfest-and-liverpool-hope-university-at-the-ems-conference-lisbon/#sthash.s7W8hZ6p.dpuf

Milapfest and Liverpool Hope University presented a major outcome of their partnership work last week in an important conference presented by the Electronic Music Studies (EMS) Network at Lisbon, Portugal - See more at: http://www.milapfest.com/news/milapfest-and-liverpool-hope-university-at-the-ems-conference-lisbon/#sthash.s7W8hZ6p.dpuf
Dr Manuella Blackburn (Lecturer, Hope University) and Alok Nayak (Director of Development, Milapfest) gave  a co-authored conference paper entitled ‘Performer as sound source: Interactions and Mediations in the studio and in the field.’ - See more at: http://www.milapfest.com/news/milapfest-and-liverpool-hope-university-at-the-ems-conference-lisbon/#sthash.s7W8hZ6p.dpuf
On 19th June I presented a paper at the Electronic Music Studies Network Conference about the AHRC collaborative project with Milapfest. Alok Nayak (director of development) joined me in Lisbon at Culturegest to deliver the research developments.

The paper focused on issues of sound collection from Indian musical instruments and how these materials are used creatively in compositional work. The paper presented several research questions: what are the optimum conditions for a successful recording session? How prescriptive should one be as a composer when dealing with a performer, and how does one navigate the same situation cross-culturally with foreign instruments where unfamiliar performance traditions and language barries exist?




Milapfest and Liverpool Hope University presented a major outcome of their partnership work last week in an important conference presented by the Electronic Music Studies (EMS) Network at Lisbon, Portugal.
Dr Manuella Blackburn (Lecturer, Hope University) and Alok Nayak (Director of Development, Milapfest) gave  a co-authored conference paper entitled ‘Performer as sound source: Interactions and Mediations in the studio and in the field.’
The paper focused on the issues of sound collection from Indian musical instruments, and how these materials are used creatively in new compositions. The paper presented several research questions: what are the optimum conditions for a successful recording session? How prescriptive one should be as a composer? And how does one navigate the same situation cross-culturally with foreign and ethnic instruments where unfamiliar performance practice traditions and language barriers may exist?
- See more at: http://www.milapfest.com/news/milapfest-and-liverpool-hope-university-at-the-ems-conference-lisbon/#sthash.s7W8hZ6p.dpuf




Milapfest and Liverpool Hope University presented a major outcome of their partnership work last week in an important conference presented by the Electronic Music Studies (EMS) Network at Lisbon, Portugal.
Dr Manuella Blackburn (Lecturer, Hope University) and Alok Nayak (Director of Development, Milapfest) gave  a co-authored conference paper entitled ‘Performer as sound source: Interactions and Mediations in the studio and in the field.’
The paper focused on the issues of sound collection from Indian musical instruments, and how these materials are used creatively in new compositions. The paper presented several research questions: what are the optimum conditions for a successful recording session? How prescriptive one should be as a composer? And how does one navigate the same situation cross-culturally with foreign and ethnic instruments where unfamiliar performance practice traditions and language barriers may exist?
- See more at: http://www.milapfest.com/news/milapfest-and-liverpool-hope-university-at-the-ems-conference-lisbon/#sthash.s7W8hZ6p.dpuf